Prewett Bizley Architects

A competition entry from the archive:
West Cork Arts Centre in Skibbereen on the southwest tip of Ireland.

The new building is intended to have the atmosphere of a large club house rather than an elitist institution, where the fabric of the building contributes to the making of a special place. We made a 1:50 model to develop the internal spaces and structure.

At the heart of the building would be a single, large table, acting as a catalyst for people drawn by a variety of activities to share the experience of a high quality public space.  Over time we hope it might become a repository for the accumulated moods, feelings, emotions, secrets and stories of the life of the town.

A competition entry from the archive:
West Cork Arts Centre in Skibbereen on the southwest tip of Ireland.

The new building is intended to have the atmosphere of a large club house rather than an elitist institution, where the fabric of the building contributes to the making of a special place. We made a 1:50 model to develop the internal spaces and structure.

At the heart of the building would be a single, large table, acting as a catalyst for people drawn by a variety of activities to share the experience of a high quality public space.  Over time we hope it might become a repository for the accumulated moods, feelings, emotions, secrets and stories of the life of the town.

A competition entry from the archive for the West Cork Arts Centre in Skibbereen. This was the project text:

The West Cork Arts Centre WCAC will occupy a prominent site in Skibbereen on the route to the main town carpark, an area of disparate open spaces.  Our proposal is for a bold civic building whose scale might unite these large public spaces.  A new pedestrian route is proposed across the site binding the Arts Centre into the town fabric.

The new building is intended to have the atmosphere of a large club house rather than an elitist institution, where the fabric of the building contributes to the making of a special place.

At the heart of the building would be a single, large table, acting as a catalyst for people drawn by a variety of activities to share the experience of a high quality public space.  Over time we hope it might become a repository for the accumulated moods, feelings, emotions, secrets and stories of the life of the town.

Working out the family bathroom for our new house project in Cambridge.

From the archive:
Another early small house on a London infill site. We made a large 1:20 scale model of the whole house to explore issues including 3-dimensional relationships, natual lighting amd joinery design.

We gained planning permission for a house on a narrow plot at the end of a long 2 storey terrace overlooking the railway tracks near Wimbledon station. One of the adjoining plots had already been developed and the other had planning permission for a new house. Our project aimed to form a harmonious whole from what will become a terrace of 3 buildings. The use of a tall dormer window over the stair mediates between the scale differences of the neighbours and picks up on the rhythm of the bay windows of the terrace further south.

Externally the structure would be entirely clad with plain clay tiles, emphasising the simple form. The texture created by the lapping, cambered tiles would contrast with sharper finer elements like the gutters, rain water pipes and copings which will be made from copper.  The walls, floor, roof and stair would be built from solid timber panels of laminated softwood prefabricated off-site.  These would be revealed within the interiors, creating the feel of inhabiting a giant piece of joinery.

From the archive:
Another early small house on a London infill site. We made a large 1:20 scale model of the whole house to explore issues including 3-dimensional relationships, natual lighting amd joinery design.

We gained planning permission for a house on a narrow plot at the end of a long 2 storey terrace overlooking the railway tracks near Wimbledon station. One of the adjoining plots had already been developed and the other had planning permission for a new house. Our project aimed to form a harmonious whole from what will become a terrace of 3 buildings. The use of a tall dormer window over the stair mediates between the scale differences of the neighbours and picks up on the rhythm of the bay windows of the terrace further south.

Externally the structure would be entirely clad with plain clay tiles, emphasising the simple form. The texture created by the lapping, cambered tiles would contrast with sharper finer elements like the gutters, rain water pipes and copings which will be made from copper.  The walls, floor, roof and stair would be built from solid timber panels of laminated softwood prefabricated off-site.  These would be revealed within the interiors, creating the feel of inhabiting a giant piece of joinery.

Remember this one ?

A project from the archives:
An ‘urban cottage’ on a 60 square meter site amongst late Victorian houses in Streatham, south London.

Robust materials conceal a private domain filled with sunlight.  A brick garden wall completely encloses the site. Inside, glass doors fold back to make the ground floor living area and south facing courtyard garden one space. A zinc-clad bedroom and bathroom sit on the garden wall. The form of the dwelling comes from the need to reduce overshadowing of the surrounding gardens.

Suitably pleased that the 80% house we did 13 years for a far sighted client was recognised by Architecture Today in their 'test of time awards'. It picked up the editors award for education and research. It certainly changed the way we approach our work and had demonstrated that deep (80%) carbon reductions are possible for the existing stock. 13 years on, Retrofit seems to be coming of age - we hope....

We gained planning permission this week for a new house on a farm in Kent. Designed to Passivhaus standard, the 2 storey house will have a low eaves on the south side to shade the wide openings that overlook a pond.

The lower floor will be clad in brick and the upper floor in horizontal shiplap boards, with a steep.pitched roof similar to nearby vernacular buildings.

Three of our projects are featured in an exhibition at the
Building Centre in London entitled Retrofit 23: Towards Deep Retrofit of Homes at Scale, which looks at how we
achieve a wider rollout of residential retrofit, focusing on how improving the
performance of a home brings economic, social, and environmental benefits.

The need to retrofit existing buildings is currently one of the biggest challenges in the built environment and will be for the next 20 years if we
are to meet the government's
target of net zero by 2050.

The exhibition runs from May 10 - September 29th.