Boketto

A selection of works currently on view at our Porto gallery, Rua de Tanger. Furniture, lighting, and objects drawn from different periods, each chosen for the quality of its making and the character it brings to a room.

Photography by Vitor Leite.

Thank you to everyone who joined us for the opening of An Hour Unfolds last Thursday.

Collectors can reach out to our Paris team for a catalogue of the show at [email protected]

Photography by Gongolens

The Diapason, designed by Marzio Cecchi for Studio Most, Florence, 1968. A single sheet of brushed stainless steel, bent, cantilevered, complete. No joints. No ornamentation. The form is the structure and the structure is the form. Fewer than 40 examples are known to exist.

Cecchi was a Florentine architect who died in New York on 1 January 1990, leaving behind a body of work that remains among the most quietly radical of the Italian mid-century. The Diapason is perhaps its clearest expression, a desk that functions equally well as sculpture, and makes no distinction between the two.

On view in our gallery in Paris.

Maria Kozak. Dense oil, impasto, spatula-built surfaces in which human forms emerge and dissolve. Harmony and anguish held within the same gesture.

Opening tomorrow, Wednesday 28 May at 19. RSVP via the link in bio.

Ettore Sottsass designed the Beverly for Memphis Milano in 1981 with a clear intention: furniture that challenges the room it enters.

The burl wood shelves lean at an angle that has no structural logic. The laminate doors, acid green on cream, make no attempt at restraint. A chrome arm rises from the body of the piece and ends, simply, in a red bulb. Each decision is deliberate, and none of them are comfortable.

Presented by the gallery in Monaco, summer 2025.

Where the day unwinds.

Corbi sofa designed by Klaus Uredat for COR in 1969, customised by Boketto.

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To receive the gallery’s catalogue, contact us by DM or at [email protected]

Maria Kozak: dense oil, spatula, impasto.

Human forms emerge and dissolve through gestural marks. Harmony and anguish coexist.

We invite you to join us for the vernissage on May 28th at 19.

RSVP via the link in bio.

Our Porto gallery on Rua de Tanger is a space that resists easy categories. A brutalist wood totem beside a mid-century chair. Ceramic vessels that sit somewhere between sculpture and object.

It is not a fixed collection; it shifts, it accumulates, it surprises.

Photography by Vitor Leite

Maria Kozak, between the sacred and the profane.

Her subjects exist beyond fixed notions of time, space, and identity. Her visual language embraces ambiguity, duality, and contradiction.

We invite you to join us for the vernissage on May 28th at 19.

RSVP via the link in bio.

New in the gallery: the Solitaire and Soliflore by Maxime Lis.

The works are conceived as counterpoints to digital overload. Fabricated in stainless steel, they offer a material presence that demands slowness and attention.

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Photography, courtesy of the artist and .aire