The Vernacular Modern

The Vernacular Modern

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Looking at Vernacular crafts in a fresh perspective

Photos from The Vernacular Modern's post 18/08/2026

A quiet moment at the studio; where the handmade sits naturally alongside the living, and objects become part of the landscape rather than apart from it.

Photos from The Vernacular Modern's post 11/08/2026

In a room, it doesnโ€™t politely sit. It sprawls. Paws reach out, the tail wanders away and the dark sculptural legs recede beneath it like shadows. From above, it is almost an image. Walk around it and suddenly there is a tiger occupying the room.

Fragments of cool stone emerge from black like a cyanotype in fading light. Neela Ratri is that moment of dusk when things hover between appearing and disappearing.

The tiger may look like a memory. But the night hasnโ€™t fallen yet.

Photos from The Vernacular Modern's post 10/08/2026

What if a tiger hide refused to be a trophy? What if it looked back at you, teeth bared, very much alive?

Bagh Sandhara II | Neela Ratri plays with that contradiction. The body lies flat like a hide, while the face is fierce, alert and almost mischievous.

In a room, it doesnโ€™t politely sit. It sprawls. Paws reach out, the tail wanders away and the dark sculptural legs recede beneath it like shadows. From above, it is almost an image. Walk around it and suddenly there is a tiger occupying the room.

Fragments of cool stone emerge from black like a cyanotype in fading light. Neela Ratri is that moment of dusk when things hover between appearing and disappearing.

The tiger may look like a memory. But the night hasnโ€™t fallen yet.

Exclusively available with Room Therapy Collective

Illustration by nimbupanisoda nuzha tasleem
Stone inlay partner Jaccana

Shot by Jubin Johnson ๐Ÿ“ธ Spatial Photographer

Photos from The Vernacular Modern's post 06/08/2026

Bagh Sandhara II _ Neela Ratri Collection
Silent. Sculptural. Untamed. Exclusively available with Room Therapy Collective

Illustration by nimbupanisoda nuzha tasleem
Stone inlay partner Jaccana
Shot by Jubin Johnson ๐Ÿ“ธ Spatial Photographer

Photos from The Vernacular Modern's post 05/08/2026

Between day and night, there is a brief moment when everything asks to be remembered.

Bagh Sandhara II, from Neela Ratri Collection, continues our exploration of Co-Existence Collection; through a pioneering cyanotype-on-stone process. Here, time leaves its imprint on stone, just as it does on wildlife, craft, and memory.

Before night falls, what will we choose to preserve?

Exclusively available with Room Therapy Collective

Stone inaly partner Jaccana
Illustration by nimbupanisoda nuzha tasleem

Shot by Jubin Johnson ๐Ÿ“ธ Spatial Photographer

Photos from The Vernacular Modern's post 04/08/2026

The forest never announces its predator.
It simply holds its breath.

Bagh Sandhara II explores camouflage not as concealment, but as quiet authority.

From our Neela Ratri collection.



Showcased with Room Therapy Collective the room therapist
Landing images shot by Jubin Johnson ๐Ÿ“ธ Spatial Photographer

Stone inlay partner Jaccana
Graphics with nimbupanisoda nuzha tasleem

Introducing Bagh Sandhara II

Every stone is hand cut.

Stone work in collaboration with Jaccana

Every fragment finds only one place

Jaccana

The forest slowly comes alive - Neela Ratri collection

Photos from The Vernacular Modern's post 19/07/2026

The object is only the outcome.
The real work is the thinking, the making and the conversations around it.

Grateful to and
for creating a community around that belief.

Photos by &

Photos from The Vernacular Modern's post 16/07/2026

Our studio was never built by two people.

It is held together by hands that stay back, shoulders that carry, families that believe before anyone else does, friends who keep showing up, and a team that turns impossible ideas into everyday work.

Grateful for the people who have become the backbone of this practice.

Here's to everyone who carries this mammoth with us.

Photos from The Vernacular Modern's post 08/07/2026

๐—”๐—ป ๐—ผ๐—ฝ๐—ฒ๐—ป ๐˜€๐˜๐˜‚๐—ฑ๐—ถ๐—ผ. ๐—” ๐—ฏ๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†. ๐—” ๐—น๐—ถ๐˜๐˜๐—น๐—ฒ ๐˜„๐—ถ๐—ป๐—ฑ ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—น๐—ฎ๐—ธ๐—ฒ.
Our campus is slowly filled with familiar faces. There was no itinerary to follow, no rush to keep. People wandered, lingered over objects, asked questions, shared stories, met the hands behind the work, and stayed longer than they had planned.

Conversations drifted between furniture, craft, rituals, materials, memory and making. Some gathered around the table, others by the water. A few simply found a quiet corner to sit. The breeze carried through the studio all afternoon, setting the curtains in motion and reminding us that spaces, much like people, come alive through presence.

Thank you to everyone who spent their Saturday with usโ€”to those who travelled across the city, lingered a little longer, and made our workshop feel wonderfully alive.

And thank you to and for curating the Maker's Trail, and for nurturing a community that believes in slowing down, visiting studios, and meeting makers where the work begins.

Until the doors open again.

Photos by &

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Woodlabs Workshop, Plot No 7, Sy No 17/2, Rampura Main Road
Bangalore
560049