IsabelMoncada

Glassblowing is at the heart of this process.

Each sphere is shaped by hand, using heat, air, and years of craftsmanship. No two pieces are exactly the same.

A look into the making of our lighting, where the process is just as importante as the final piece.

Pata de Elefante

From the atomic collection —
Named after the distinctive silhouette of its base. Crafted in matte natural parota wood and crowned with a handmade wavy shade.

Discover the piece at the link in bio.

A turned pinewood base, darkened through the Japanese Shou Sugi Ban technique,
paired with a flexible linen shade designed for durability and care.

From the De Palo collection —
one of the earliest explorations in Isabel Moncada’s studio,
where geometry, natural materials, and architectural presence began to take form.

Discover the piece at the link in bio.

Like the great divas —
unapologetic, magnetic, impossible to ignore.

As María Félix once said:
"Una mujer original no es aquella que no imita a nadie, sino aquella a la que nadie puede imitar".

Words by
Appreciation for his perspective and curatorial dialogue.

When light is no longer only functional,
it begins to operate in another field.

Objects can shift context.
From architecture to exhibition space.
From utility to presence.

Born from a molecule.
Shaped by hand.

In the freedom of prototyping
texture entered the conversation.
Hair.

Maratus Horsehair in The Housemaid movie.

In cinema, a MacGuffin —a term coined by Alfred Hitchcock—
is an element that drives the story forward:
an object, a presence, a tension,
important not for what it is, but for what it sets in motion.