Kok Art & Craft Co.

15 SPACES — Release 15:
Large Set — Bedroom Set B (Colonial Chinese and Modern Style)

Simplicity is not the absence of effort. It is where effort stops being visible.

Strip away too much and it feels bare. Add too much and it stops being a room for rest. The line between the two is where craft lives — and where this set sits.

The Traditional Queen Bed in warm solid timber, sleigh headboard, panel footboard. The Chinese Elm and Bamboo Cabinet — lattice, iron, centuries of refinement distilled into a single form. The Colonial Chest of Drawers, broad and grounded, seven drawers that hold without imposing. The Colonial Side Table at arm's reach. The Modern Traditional Dressing Table with oval mirror, clean lines, a stool that tucks away without being asked.

A bedroom that took the work seriously so you don't have to think about it.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 14:
Medium Set — TV Lounge Set (Eclectic European and Tropical Style)

The rattan coffee table does not apologise for being in the same room as a Gothic end table.
Neither does the Art Nouveau settee for sitting beside a mid-century sideboard.

This is the room for the evening — unhurried, layered, assembled from different centuries without asking their permission. The woven base of the coffee table against the pointed arch of the end table. The organic curve of the settee against the clean fluting of the sideboard. Tropical craft and European form, neither dominating, both at ease.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 13:
Small Set — Home Office Mini Set (French Empire & Louis XV)

The foreword is about Scandinavia. The furniture is not.

But the argument holds. Long before restraint became a trend, European cabinetmakers were already asking the same question — how much is enough? The Louis XV Writing Desk answers with cabriole legs, gilt acanthus, and a scalloped apron that curves just so, and no further. The Napoleon Hat Armchair answers differently — Empire silhouette, scrolled crest, gold-tipped lyre splat. Precise. Composed. A chair that knows its own authority without announcing it.

A home office that takes the work seriously.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 12:
Large Set — Studio Apartment Set (Court to Café)

Versailles, 1715.
Vienna, 1859.
Shanghai, 1920s.
A kopitiam on Jalan Tun Tan Cheng Lock, any morning you choose.

If any of that felt familiar — it should.

Not decorated to a brief. Not committed to a period. Just — collected. A chair that came from one place, a table from somewhere else, a lamp that has no business being next to any of it and yet somehow holds the room together.

This set was curated with that logic in mind. Ming settee. Art Deco lounge chair. Baroque coffee table. Kopitiam marble pedestal. Pagoda lantern. Eight pieces that have no common origin and no need of one.

The foreword calls it six centuries of design history. You can also just call it home.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 11:
Medium Set — Bedroom Set A (Chinese Style)

The brass medallion on the armoire is not decoration.

On Chinese cabinets, brass hardware began as practical reinforcement — locks, seams, structural points. Over centuries it became something else: a deliberate public statement of protection, longevity, and household continuity. The character 壽 engraved. The circular medallion shaped. The cabinet's most exposed surface turned into ritual architecture.

This set holds that understanding across three pieces. The Chinese Style Armoire — solid timber, brass medallion lock plate, three-drawer base, bracket feet — a form that marks the threshold between private life and the outside world. The Platform Queen Bed low and grounded, slatted timber surface, a base that does not impose. The Contemporary Bedside Table beside it — clean panel faces, single drawer, open shelf — modern restraint in quiet dialogue with the armoire's ornament.

Three pieces. One bedroom. One lineage.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 10:
Small Set — Compact Living Set (Art Nouveau Style)

The settee was never just a seat.

It evolved from the high-backed English settle — built for warmth and hierarchy — into a lighter, upholstered form designed for parlours and drawing rooms. Its proportions encouraged upright conversation rather than lounging. A piece of furniture that quietly restructured how people gathered and spoke to one another.

This set carries that lineage. The Art Nouveau Settee in solid timber — vertical splats, arched rail, botanical patterned upholstery — a form that structures dialogue without announcing it. Accompanied by the Straits Carved Side Table, its cabriolet legs and carved rim a nod to Peranakan craft vocabulary. The Baroque Hex Side Table completes the arrangement — glass top, scrolled legs, a second surface that holds the room without competing for it.

Three pieces. One conversation.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

A quiet return
to what matters most.

Hearts softened,
intentions renewed.

May this season be rich with barakah.

Selamat Hari Raya.

5 SPACES — Release 09:
Large Set — Large Set — Dining Room Set B ('Skali' Collection Set)

The dining table has never been neutral.
Across Asian societies, eating together was the architecture of trust — hierarchy managed, belonging confirmed. The arrangement of the room told everyone where they stood. That logic has not changed.

The 'Skali' Dining Table and Chairs in solid Nyatoh timber — named after the Malay sekali, meaning together. Wide enough for a proper spread. The arched chair back shaped for people who intend to stay. The Baker Fluted Sideboard at the wall — 72 inches, horizontal rhythm, unhurried.
A room composed for the people who use it.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 08:
Medium Set — Living Room Set A (French Neo-Classical Style)

The inlay on the settee rail is not ornament for its own sake.

After Pompeii, European cabinetmakers began pressing classical motifs — medallions, borders, botanical forms — directly into furniture surfaces. Marquetry became the language of order and authority. A room furnished this way made a statement about what its owner understood.

This set speaks that language. The French Neo-Classical 2-Seater Settee in scrolled timber and sage upholstery. The French Louis XVI-Style Coffee Table and Side Table with fluted legs and gilt acanthus. Each piece carrying the same reference, at a different scale.

Limited allocation.
No repeats.

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*Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 07:
Small Set — Reading Corner Set (Structural Modernism)

In 1948, sculptor Kenneth Snelson assembled aluminium tubes and piano wire into a structure that appeared to float.
Buckminster Fuller later named the principle tensegrity — stability created through tension rather than weight.

The idea moved from sculpture to architecture, and eventually into furniture and lighting.

Here, the tensegrity standing lamp appears suspended in space, its structure held by calibrated tension rather than mass.

The Caldas lounge chair and ottoman introduce warmth through timber and tufted leather, while the magazine rack side table adds quiet function.

Engineering, craft, and comfort.

A corner made for slowing down.

Limited allocation.
No repeats.

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Disclaimer: Visualisations are AI-generated for spatial representation.

15 SPACES — Release 06:
Large Set — Living Room Set B (Tropical Modern Style)

In the 1970s, Bali’s expanding tourism industry carried more than travellers abroad.
It carried furniture.

Balinese workshops began exporting carved teak pieces and open-air pavilion sensibilities — translating village architecture into objects for the modern home.

Curved timber lounge chairs and woven rattan seats echo that language of leisure.
A lattice console and rattan coffee table keep the structure light, porous, and tactile.
The Backenzahn stool introduces a compact sculptural counterpoint.

Timber, rattan, and air.

A living room shaped by the idea of tropical ease.

Limited allocation.
No repeats.

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Disclaimer: Visualisations are AI-generated for spatial representation.