Ahu Studio

Our bespoke Aşk Jewellery and Scent Cabinet, currently taking shape in the atelier.

As the eye moves closer, texture gains depth and each stitch reveals another layer of the story.

Marquetry, in detail.

Cut and assembled piece by piece, different woods and colours build the flowing forms of the Levni Dining Table—where pattern becomes part of the object itself.

From the Heraklion Archaeological Museum in Crete.

Home to one of the world’s richest collections of Minoan art and artefacts. We return to places like this to observe craftsmanship, ornament and material culture—details that quietly shape our creative process.

Umay Side Table

Inspired by the movement of hand-painted marbling, Umay translates painted compositions into marble marquetry, where colour, rhythm and ornament become part of the material itself.

Inspired by Ottoman traditions of scent and hospitality, the Aşk Cabinet brings together fragrance, jewellery and personal objects in a contemporary ritual of care, memory and daily life.

Marbling finds a new material expression through embroidery.

Hand-painted compositions are translated into embroidered motifs, where colour, movement and ornament acquire texture, tactility and permanence.

A contemporary vessel for hospitality.

The Nakş Bar Cabinet draws on centuries of ceremonial tradition, translating craftsmanship, ornament and ritual into an object designed for gathering today.

A moment from the studio.

Hand-painted marbling studies inspired by Ottoman floral ornament. These compositions form the foundation of an evolving ornamental vocabulary, later translated into marquetry, embroidery and sculptural surfaces across our collections.

Umay Side Table and Hatayi Bench

Objects designed to bring material, rhythm into a space.