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Resort terraces in a destination like Taormina carry a double brief: hold their own against one of the Mediterranean's great views, and survive the season that comes with it. At this Sicilian hotel, designer Valentina Pisani answers with DEDON across the program.

MBRACE brings its woven, high-back warmth to the restaurant terraces, while THE OTHERS and PORCINI add sculptural personality at the infinity pool, three collections in one coherent outdoor language. It is hospitality specification with a point of view, built on DEDON's decades of woven fiber craft.

DEDON is available to the trade through CLIMA Home.

Project design: Valentina Pisani
Featured: MBRACE, THE OTHERS, and PORCINI by DEDON
Location: Taormina, Sicily

A study in what silence looks like. In this Sculpted Concrete Series concept, Neocosmic Architecture composes a temple of stone-clad colonnades and still water: a knife-edge pool running toward the horizon, a cantilevered roof plane hovering over desert planting, interior halls washed in low amber light where sculptural seating and glowing orbs hold the hush. It is speculative architecture, but the lessons are real.

Restraint in the palette.
Discipline in the line.
Light treated as a material.

The atmosphere every great room is chasing, distilled to its essentials.

Concept and visualization: Neocosmic Architecture

Hospitality projects at destination wineries carry a particular brief: the outdoor program must hold its own against a landscape guests came specifically to see. At Moncalisse Winery in the hills of Monte Calisio, Kettal answers with two design languages working in concert. Roll and Mesh by Patricia Urquiola set the material rhythm and comfort across terraces and open-air rooms, while Passage by Ronan Bouroullec draws the architectural line where built space meets vineyard. It is a case study in specifying for ritual: sitting, tasting, gathering, all shaped by furniture that understands its setting. CLIMA Home works with designers and architects specifying hospitality at this level, nationwide.

Featured: Roll and Mesh by Patricia Urquiola, Passage by Ronan Bouroullec
Design: Kettal
Location: Moncalisse Winery, Monte Calisio

The specification decision for Gems by Lanzavecchia and Wai for Penta is not about the light it casts. It is about the object it becomes.

Six modular elements compose into a sculptural form that reads differently from every angle, transparency and reflection generating chromatic nuance that shifts with the room around it. A new warm tactile finish introduced to the collection deepens its surface and strengthens the design identity that makes Gems recognizable as a deliberate choice rather than a generic one. The modularity allows the composition to scale, which extends its specification range from residential interiors to hospitality environments where the fixture is asked to carry the room.

For architects and designers specifying lighting as a primary design element rather than a supporting one, this is the Penta catalog at its most resolved.

Available for trade specification through CLIMA Home.

Gems by Lanzavecchia and Wai for Penta.

A bed cut like a tailored garment. AtelierM by Gino Moschetti for Flou borrows its language from the atelier: soft geometries draped in pleated detail, refined metal profiles finishing the silhouette like hardware on a well-made coat. Fully customizable and completely removable at the cover, it is designed to be fitted to a bedroom the way couture is fitted to a body. Italian bed-making at its most precise, from the house that has spent decades treating sleep as a design discipline.

Design: Gino Moschetti for Flou

Ancora moves the way its inspiration does. Drawing on the curves of modern yachts, Joe Adsett Architects lets the form glide across its sloping coastal site, the sculptural roofscape lifting into double height volumes over the main living spaces and master suite. Below, the lower level anchors the composition, holding the cantilever above like a hull holding its line. Subtropical modernism at its most fluid: architecture that separates inside from out not with walls, but with a single continuous gesture.

Architecture: Joe Adsett Architects

Danish design has always understood that comfort and discipline are not opposites. Cane-line has spent more than three decades proving it outdoors: Scandinavian lines softened by deep cushioning, woven textures that warm the minimalism, and materials engineered to shrug off weather without announcing the effort.

Cushions dry within an hour of rain. Surfaces ask for almost nothing. The result is outdoor furniture that lives as gracefully as it looks, season after season.

Design: Cane-line