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First Look: a new exhibition of paintings, sculptures and furniture by Guggi. ⁣⁣Opening on Monday, November 2nd in New Y...
10/29/2026

First Look: a new exhibition of paintings, sculptures and furniture by Guggi. ⁣
⁣
Opening on Monday, November 2nd in New York. ⁣

First Look: a new exhibition of paintings, sculptures and furniture by Guggi. ⁣⁣Opening November 2nd in New York.
10/27/2026

First Look: a new exhibition of paintings, sculptures and furniture by Guggi. ⁣
⁣
Opening November 2nd in New York.

Twenty Years in Los Angeles, Ten Years at 1025 N. McCadden Place. ⁣⁣⁣A glimpse into the transformation of a 1920s dance ...
10/25/2026

Twenty Years in Los Angeles, Ten Years at 1025 N. McCadden Place. ⁣⁣
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A glimpse into the transformation of a 1920s dance studio into a canvas for collectible design, fine art and performance. ⁣
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In 2016, RALPH PUCCI moved from the Pacific Design Center into its first independent Los Angeles gallery, giving the historic space a new creative purpose.⁣⁣
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Ralph recalls, “We’d been thinking about this move for years, and we finally found a building that’s consistent with the spirit of our other galleries. The bones, the scale, the light, the neighborhood—they all fit us perfectly.”⁣⁣
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RALPH PUCCI will celebrate its twentieth anniversary in Los Angeles on November 12th at 1025 N. McCadden Place. ⁣⁣

Twenty Years in Los Angeles, Ten Years at 1025 N. McCadden Place. ⁣⁣⁣⁣Published to accompany the opening of RALPH PUCCI’...
10/24/2026

Twenty Years in Los Angeles, Ten Years at 1025 N. McCadden Place. ⁣⁣
⁣⁣
Published to accompany the opening of RALPH PUCCI’s first independent gallery in Los Angeles, NOW / THEN details the renovation of the 1920s dance studio into a canvas for collectible design, fine art and performance. ⁣⁣
⁣⁣
Ralph recalls, “We’d been thinking about this move for years, and we finally found a building that’s consistent with the spirit of our other galleries. The bones, the scale, the light, the neighborhood—they all fit us perfectly.”⁣⁣
⁣⁣
RALPH PUCCI will celebrate its twentieth anniversary in Los Angeles on November 12th at 1025 N. McCadden Place. ⁣⁣
⁣
Photography by Sabrina Che and Antoine Bootz.

Twenty Years of Exhibitions in Los Angeles. ⁣⁣Join us on November 12th to celebrate our anniverary with a new exhibition...
10/22/2026

Twenty Years of Exhibitions in Los Angeles. ⁣
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Join us on November 12th to celebrate our anniverary with a new exhibition featuring works by Ted Abramczyk, Stefan Bishop, Amy Dov, Lianne Gold, John Koga, Sébastien Léon, Marjorie Salvaterra, Diego Uchitel, and John Wigmore.

We are proud to celebrate Twenty Years in Los Angeles on November 12th with a new exhibition featuring works by Ted Abra...
10/19/2026

We are proud to celebrate Twenty Years in Los Angeles on November 12th with a new exhibition featuring works by Ted Abramczyk, Stefan Bishop, Amy Dov, Lianne Gold, John Koga, Sébastien Léon, Marjorie Salvaterra, Diego Uchitel, and John Wigmore.

Trained in the decorative arts in Nice and later at the École des Beaux-Arts in Paris, Louis Cane regarded furniture as ...
10/15/2026

Trained in the decorative arts in Nice and later at the École des Beaux-Arts in Paris, Louis Cane regarded furniture as an artistic equal to that of painting or sculpture. ⁣
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Cane created for his own spaces, particularly his house in Beaulieu-sur-Mer and then Villefranche-sur-Mer, starting in the early 1990s. He conceived not only furniture, but an entire environment. Furniture was not an addition; it belonged to a coherent whole. His pieces often arose from a particular need and a desire for timelessness: to conceive pieces of furniture that, once installed, give the impression of always having been there. ⁣
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What started as a personal project quickly became an essential part of his artistic practice; he enjoyed the process immensely. Naturally, he continued to design one piece at a time, furniture, objects and lighting; the unique and limited editions now in view at RALPH PUCCI New York.⁣

For Louis Cane, furniture was never merely a matter of function or design. His creations are not the result of mere tech...
10/13/2026

For Louis Cane, furniture was never merely a matter of function or design. His creations are not the result of mere technical ex*****on; they are living works shaped by time, intuition, human hands and the subtle imperfections that give them life. ⁣
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Cane was especially interested in Coromandel lacquer, the eighteenth-century Chinese screens that are split so both sides can be used on furniture, utilizing traditional French craftsmanship. ⁣
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In contrast, at times he would abandon tradition altogether and paint directly onto bronze, treating the material not as a precious object to be revered, but as another surface for artistic freedom and experimentation as exemplified by the Parrot Floor Lamp. ⁣
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Now on view in New York. ⁣

Very early on, Louis Cane understood that preserving the artistic integrity of his creations required complete control o...
10/11/2026

Very early on, Louis Cane understood that preserving the artistic integrity of his creations required complete control over their production. Rather than outsourcing their fabrication, he gradually assembled a team of highly skilled craftsmen around him, building his own workshops dedicated to cabinetmaking, marquetry and bronze casting. Every stage of production was carried out by hand, under his direct supervision.⁣
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The atelier was also home to one of the artist’s most distinctive signatures: its patinas. Developed and applied in-house, they bring depth, texture and character to the bronze surfaces. Yet Louis Cane was never bound by convention. At times, he would abandon patina altogether and paint directly onto bronze, treating the material not as a precious object to be revered, but as another surface for artistic freedom and experimentation.⁣
⁣
Now on view in New York. ⁣

Louis Cane created for his own spaces, particularly his house in Beaulieu-sur-Mer and then Villefranche-sur-Mer, startin...
10/09/2026

Louis Cane created for his own spaces, particularly his house in Beaulieu-sur-Mer and then Villefranche-sur-Mer, starting in the early 1990s. He conceived not only furniture, but an entire environment: volumes, floors, proportions, circulation. Furniture was not an addition; it belonged to a coherent whole. His pieces often arose from a particular need and a desire for timelessness: to conceive pieces of furniture that, once installed, give the impression of always having been there. ⁣
⁣
Now on view in New York. ⁣

Address

550 NW 28th Street
Miami, FL

Opening Hours

Monday 9:30am - 6pm
Tuesday 9:30am - 6pm
Wednesday 9:30am - 6pm
Thursday 9:30am - 6pm
Friday 9:30am - 6pm

Telephone

+13054383771

Website

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