10/26/2026
Todd Merrill Studio presents two exhibitions at the Museum of Arts and Design, presenting works by artists John Procario and Alice Riehl. Opening October 26 and on view through April 4, 2027. Each takes a single material to the limit of what it can do, and each is built at the scale of a room.
John Procario: Freeforms — Sculptural Explorations in Wood and Light
On View October 26, 2026 – April 4, 2027
Alice Riehl: Herbarium Interior
On View October 27, 2026 – April 4, 2027
Museum of Arts and Design,
2 Columbus Circle, New York
John Procario: Freeforms — Sculptural Explorations in Wood and Light, presented with Todd Merrill Studio in partnership with Dedar, is the first museum solo exhibition devoted to LED sculptural lighting. John Procario pioneered freeform bentwood lamination integrated with LED, a technique that could not exist without the LED strips developed in the early 2000s. Trained as a sculptor, he came to see wood as a metaphor for the human body, and spent months deliberately breaking it to learn exactly how far it could be pushed.
“I would describe my work as having a heartbeat. Each piece has its own personality. As you move around it, the form appears to shift and change.” — John Procario
The exhibition unfolds across two galleries. The first, painted deep black, gives the suspended sculptures and sconces their silhouettes. The second, bright white and clad in metallic wall coverings from Dedar, holds the Sculptural Seating series and Basin, a freestanding light sculpture of nearly seven feet.
John Procario: Freeforms — Sculptural Explorations in Wood and Light, presented with Todd Merrill Studio in partnership with Dedar, is the first museum solo exhibition devoted to LED sculptural lighting. John Procario pioneered freeform bentwood lamination integrated with LED, a technique that could not exist without the LED strips developed in the early 2000s. Trained as a sculptor, he came to see wood as a metaphor for the human body, and spent months deliberately breaking it to learn exactly how far it could be pushed.
“I would describe my work as having a heartbeat. Each piece has its own personality. As you move around it, the f