Print Center New York

Enjoy exclusive tours and events as a Print Center New York member this autumn!

Our 2026 fall season of members events is now live on our website. Private receptions and curator-led tours of print exhibitions, behind the scenes visits to art institutions, and early access to our public programs. There are so many reasons to get excited for autumn in New York!

Not a member yet? There’s still time! Don’t miss your chance to participate in these programs and join today on our website.

Editioning Derrick Adams’ newest print in style at Tandem Press!

Print Center New York is excited to release a new limited-edition benefit print by Derrick Adams (), created in collaboration with Tandem Press ().

Style Variation Grid revisits Adams’s iconic “Style Variation” series, drawing inspiration from West African masks and mannequin displays photographed in Brooklyn beauty and wig shops. This screenprint and archival inkjet print is an edition of just 50 impressions and is available on a first-come first-served basis.

Email [email protected] to register your interest and be the first to receive more information about the release.

Join us for two special pop-up presentations by Mira Dayal () and Caroline Ongpin (.ongpin) coming September 17 from 6:00pm to 8:00pm!

In our East Gallery, Caroline Ongpin will be presenting “Passage,” a selection of new works made during her 2025 Marabeth Cohen-Tyler Print/Paper Fellowship at Dieu Donné (). Ongpin uses watermark, blowout, and stencil techniques to explore the subtle possibilities of translucency and color using specifically developed fiber combinations, in relation to her exploration into landscape and waterway imagery.

In our Leslie and Johanna Garfield Lobby, Mira Dayal will be presenting “Nets,” a collection of recent works made during her residencies and workshops at Ox-Bow (), Lower East Side Printshop (), and Dieu Donné. Dayal’s new work adapts her plasma-cut steel “net” sculptures as printmaking plates. These works further the possibilities of printing without ink and explore the dimensional properties and allusive potential of unlikely materials. Dayal’s work evinces the poetic latency of industrial materials.

Be the first to see our fall exhibitions and connect with the Print Center community!

Sign up this Saturday, August 22 from 2–4PM for Turkish Coffee and Pattern Carving with Melih Meriç () to celebrate the last day of the exhibition New Voices: Design.

The artist will brew Turkish coffee in traditional copper pots featuring hand-engraved ornaments, tying this community practice of sharing coffee to the visual language of their work on view. Participants will also learn how to draw repeating patterns and carve them onto linoleum blocks which they can later print at home.

Noah Breuer is one of eight artists included in our upcoming group exhibition New Voices: Design!

Breuer is an American artist and Assistant Professor of Print Media at the University at Buffalo, SUNY. His practice occupies the intersection of traditional printmaking and 21st-century digital technology, utilizing this hybrid approach to examine themes of family identity, labor, and the Jewish diaspora.

Breuer’s current research focuses on the cultural legacy of early-20th-century Jewish-owned textile printing companies in Czech Bohemia. Through what he describes as a "reclamation project," Breuer investigates his own family’s lost industrial history, resurrecting and reinterpreting archival designs to explore the tension between ancestral memory and contemporary artistic ownership.

New Voices: Design opens June 11 with a public reception from 6-8PM at Print Center New York! Learn more at the link in bio.

, NÁVRAT Animal Pattern, 2025. Screenprint on linen. Courtesy the artist © Noah Breuer

We're thrilled to congratulate on winning a !

Last year, we released Folding Wall (Blue on Yellow), 2024, a benefit edition by Shepherd, created in collaboration with -GoodPress. The screenprint extends the visual motifs in Shepherd’s recent watercolors and wall paintings, which use superimposed planes of color to evoke relationships between form and space. In these works, Shepherd takes inspiration from the architectural forms of leaning planks, unfolded boxes, the cellar doors that line New York’s sidewalks, and— in the case of her new screenprint— folding walls. The vibrant result exemplifies the extraordinary sensitivity to line, color, and shape for which Shepherd is so celebrated.

It's your last chance to see Felipe Baeza: Anima at Print Center New York!

In an interview with Felipe Baeza notes, "Looking at the works together feels less like seeing a linear progression and more like encountering different moments of inquiry. I see continuity in concerns that have stayed with me for over a decade. Fragmentation, instability, and refusal were present early on, even if I did not yet have the language for them. Certain forms and motifs reappear in unexpected ways. There are gestures in early works that now feel prophetic. At the time, I may not have understood their significance, but revisiting them clarifies that my practice has never been about resolution."

Plan your visit to this vibrant exhibition before it leaves on Saturday, May 23!