The Invisible Collection

For over a century, have put their savoir-faire at the service of sleep. The most ancient manufacture of fine bedding, and the last to do it entirely by hand.

In the Invisible Collection Triangle d’Or Residence, we present Nuage, a cocooning dream of a bed which encapsulates everything they’ve ever learned about the French art of rest. The mattress is made from their signature pocket springs, wool, horsehair, and linen, and is entirely reversible: ensuring enveloping warmth in winter and cool comfort come summer. As part of the Amour collection, it comes embroidered with a poem by one of four French authors, a precious detail, hidden in plain sight. The headboard which lends the bed its name is just as sumptuous, upholstered in two fabrics from .

Tap for the details. And make your arrangements to discover this one-of-a-kind savoir faire at Invisible Collection’s Triangle d’Or Residence.

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The table for all occasions.

Hewn from polished rosewood that catches and holds the light, the Kate Dining Table by is the statuesque piece around which evenings at our Triangle d’Or residence revolve. Paired here with our favorite, free-flowing Baci Dining Chairs by and the gentle contours of the Dolly Ottoman, it softens the conventional expectations of what a dining space can be.

Make your arrangements to discover the Residence by appointment only via the link in the bio.

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In the living room of our Triangle d’Or Residence, the cinematic signature of Sandra Benhamou meets the strict, structural perfection of the Veermakers Collection by Louise Liljencrantz. Two superstar designers, in dialogue.

Tap for the full particulars. And schedule your appointment to discover the latest Invisible Collection Residence via the link in the bio.

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Between iconic avenues, leading art galleries, couture houses, and grand palaces, the Triangle d’Or embodies a certain fantasy of Parisian luxury. It is here, in this cosmopolitan and captivating neighbourhood, that Invisible Collection unveils a new residence: our very first on the Right Bank, and the latest expression of our signature French aesthetic.

Two iconic Invisible Collection works open the scene: the Brutalist Lantern by and ’s Dress Up Console, the latter inspired by the soaring volumes of the Touronné Abbey.

In the reception salon beyond, the Ligne Oblique Sofa by creates a moment of repose, joined by a bespoke straw marquetry table by Belinda Diwan and , ’s shapely Dolly Stools, and the richly textured Chardin rug by .paris. Tactile, sophisticated pieces, that embody our idea of contemporary Parisian chic.

Make your arrangements to visit the Triangle d’Or residence, by appointment only, via the link in the bio.

Nature has long been one of Goossens’ () greatest muses. Wall lamps become clouds of waterlilies, mirrors glow like golden suns, and trinket boxes are kept guard by watchful lion sentinels. Objects of remarkable beauty, every bit as precious as jewels. Head to stories to discover the latest edit of Goossens creations exclusively at Invisible Collection.

Frankly perfect. The new Stockholm flagship; designed by the talented and featuring Jean Michel Frank’s Upholstered Back Armchairs, circa 1923. Reissued by our friends at Ecart, and a perennial favorite at Invisible Collection.

Among Marine Edith Crosta’s favourite Art Deco interiors is one whose most celebrated rooms have long since disappeared, save for a handful of remarkable elements preserved by the Metropolitan Museum of Art: the extraordinary residence of Florence and George Blumenthal at 50 East 70th Street.

Completed circa 1919, the house brought together Renaissance architecture, medieval treasures and the most adventurous decorative arts of its day. At its heart stood the celebrated Patio of Vélez Blanco, a sixteenth-century Spanish courtyard acquired by the Blumenthals and reassembled in Manhattan, transforming Park Avenue into something closer to a European palazzo. Today, it survives at the Metropolitan Museum of Art.

Yet the true guiding force behind the interiors was Florence Blumenthal herself. A collector, philanthropist and patron of contemporary artists, she worked closely with designers, decorators and craftsmen, shaping rooms that balanced historical grandeur with modern imagination.

For Marine, nowhere is this more evident than the house’s remarkable swimming pool. There, murals by Paul Thévenaz depicted swimming nymphs amid an aquatic dreamscape, while Armand-Albert Rateau furnished the room with bronze curule armchairs woven from fish and seashells, a sculptural marble table and lamps entwined with serpents. A jewel of Art Deco fantasy hidden inside one of New York’s most legendary homes.

Images via the Watson Library, The Metropolitan Museum of Art, New York.

Soft shapes. Graphic lines. A new mise-en-scene chez Invisible Collection Rive Gauche.

Make your arrangements to discover the new scenography, including works from Le Berre Vevaud, 11 Varonne, Paul Laszlo, Leo Sentou, Charlotte Biltgen, Fassen, Diurne, Precious Kyoto and Jacques Doucet Paris.

📍20 Rue Amélie, 7ème
📅 Monday - Friday | 10h - 18h

A special merci to for the wonderful artworks, to our friends at for their exceptional fabrics, to for the beautiful curtains, and for their fabulous paints.

What does it mean to create? For Elodie Michaud and Rebecca Fezard of , it is an act of care: a chance to do things differently and give overlooked materials a second life.

Working at the intersection of design, research and craftsmanship, the duo transform discarded leather offcuts from France’s maroquinerie industry into Leatherstone©: a richly tactile material made without petrochemicals, pigments or synthetic binders. What emerges is neither leather nor stone, but something entirely new - shaped through experimentation, ancestral gestures and an unwavering commitment to preservation.

Their practice is guided by a simple but radical conviction: that the materials we overlook still carry stories, potential and beauty. Through each piece, proposes another way of making - one where innovation and ecology are not opposing forces, but allies.

It is precisely this dialogue between technical mastery, material invention and savoir faire that the has championed for more than two decades through the Prix Liliane Bettencourt pour l’Intelligence de la Main®. A distinction that continues to spotlight the extraordinary vitality of contemporary craft.

Now on view at Invisible Collection New York, ’s sculptural Tufo Table invites a closer look at what design can become when care, experimentation and material intelligence converge.