Superfutures Design

Dinner and a show, style🍷🎭

By placing the counter front and center, we turned the kitchen into an open stage. Here, the chefs and service team become performers in an energetic, live-action spectacle, with every seat putting you right in the front row.

Hectic, vibrant, and completely immersive ... swipe through to see how the theater unfolds across the spaces.

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A retrospective look at Miami, which opened its doors in 2018!

Designed as a spatial journey, the entry drew guests in through a sleek, mysterious façade, gradually revealing a dramatic interior inspired by a hidden tropical cenote. The wraparound mural that pours over much of the interior is the work of Miami street artists Marcel Katz and Ahol Sniffs Glue, whose whimsical, graphic vocabulary carries the edge of the city's graffiti culture indoors.

Tokyo meets Miami 🌴✨
with

Throwback to Chotto Matte Miami, opened back in 2018 in the heart of South Beach!

Originally inspired by a tropical cenote, this iconic spot blended Tokyo’s urban edge with Miami’s tropical energy. The ultimate showstopper? A 19-tonne Sicilian lavastone boulder imported in its entirety to sit right between the sushi bar and cocktail lounge, balancing a massive retractable shou sugi ban timber roof. 🗿☀️

A true favorite in our hospitality portfolio!

Innovation is key - let's disrupt the dining scene and create something new

Details of our design for
📸 by

Huge thanks to .burger for trusting us with your new Soho spot! It's been a pleasure working with you. Farm to table has never been more contemporary!

Opening soon

Torres Blancas_ Francisco Javier Sáenz de Oiza_Madrid, 1969

Among the ideas that gave rise to Torres Blancas project was that of creating a tower of garden houses with large terraces. In this way, it was intended to make the idea of ​​high-rise housing compatible with the garden house, a utopia sought since the beginning of the century in high-rise buildings.

We were tickled to be shortlisted in the 2023 Restaurant & Bar Design Awards!

Our designs for & and Harts Group's & in Borough Yards have received nods across multiple categories including




Whilst we take a collective breath (and hold it) until the results are announced on the 4th of September perhaps you’d like to make yourself a reservation and partake of the ambience (we’ll see you there.)

Mario Bellini.
TCV 250 Video Display Terminal.
1966

Starkly futuristic for the time, the screen was so secondary (to the task of facing the human being sitting across from the desk) that it's placed off-center to the side, enabling the user to glace at it briefly to glean the required information needed to inform the human face-to-face conversation.

Keyboards were bulky objects back then, and the bulk of this one is hidden beneath the desk surface, allowing for something like a flush appearance.

As for the form, Mario Bellini Architect writes "The search for a new 'work station machine' iconography was supported by the use of a tool foreign to Euclidean geometry and based on the theory of elastic membranes."















Text by Rain Noe