IASPIS Konstnärsnämnden

IASPIS Konstnärsnämnden

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IASPIS is the Swedish Arts Grants Committee's International Programme for Visual and Applied Arts De inlägg som görs på den här sidan kan läsas av alla.

Om IASPIS
IASPIS är Konstnärsnämndens internationella program för yrkesverksamma utövare inom bildkonst, design, konsthantverk och arkitektur. Vårt uppdrag är att utveckla kontakter mellan konstnärer i Sverige och aktörer på den internationella arenan och på så sätt bidra till konstnärlig fördjupning och förbättrade arbetsvillkor. Läs mer om Iaspis på: http://www.konstnarsnamnden.se/iaspis/


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Välkommen till Italienska Palatset Branislav Nikolić – Italienska Palatset i Växjö 30/05/2026

Italienska Palatsets residenskonstnär Branislav Nikolić från Belgrad, Serbien, hälsades välkommen till Växjö och Italienska Palatset med en intensiv dag och fullspäckad vecka.

Residenset arrangeras i samverkan med IASPIS – Konstnärsnämndens internationella program för bild och form, Region Kronoberg och Italienska Palatset.

Välkommen till Italienska Palatset Branislav Nikolić – Italienska Palatset i Växjö Italienska Palatsets residenskonstnär Branislav Nikolić hälsades välkommen till Växjö med en fullspäckad vecka och pizzafest

13/04/2026

Anne Horvath, Head of Programming and Publications at the Centre Pompidou-Metz
IASPIS expert visit in Malmö 27–29 April 2026


📍Centre Pompidou-Metz is part of Résonances, a curatorial exchange programme between France and Sweden, aimed at connecting visual arts institutions, exhibition curators and artists from both countries. Résonances was cofounded by IASPIS, Institut français de Suède and Institut suédois in Paris in 2023.

Read more
https://www.konstnarsnamnden.se/en/news/resonances-ett-fransk-svenskt-samarbete-inom-de-visuella-konsterna/

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Anne Horvath is Head of Programming and Publications at the Centre Pompidou-Metz. She has served as curator and collaborated on numerous exhibitions highlighting creation at the intersection of visual and performing arts, including Musicircus, Oskar Schlemmer: The Dancing Man, Opéra Monde, and more recently Louise Nevelson: Mrs. N’s Palace, currently on view at the Centre Pompidou-Metz, which invites a renewed reading of a major figure in the history of twentieth-century sculpture.

She also co-curated and co-edited, with Chiara Parisi, Director of the Centre Pompidou-Metz, the exhibitions Face à Arcimboldo and The Sentimental Museum of Eva Aeppli. She is currently preparing an exhibition dedicated to the stage productions of Alexander Calder.
https://www.centrepompidou-metz.fr/en

Photos from IASPIS Konstnärsnämnden's post 09/04/2026

Edith Hammar (SWE), IASPIS Artist in Residence at ISCP in New York, April–June 2026

2026 ISCP Spring Open Studios
Opening Reception: Friday, April 17, 6–9pm
Open Hours: Saturday, April 18, 1–6pm

The International Studio & Curatorial Program (ISCP) Spring Open Studios is a presentation of international contemporary art by the 32 artists and curators from 25 countries in residence. Guest speaker curator Christiane Paul, will make remarks at 7pm during the opening reception.

This event is free and open to the public.

Three times a year, ISCP invites the public to engage with its cohort of international artist and curator residents in their individual studios. Residents present recent projects, work in progress, site-specific installations, and their archives to a large audience of professionals and art enthusiasts from New York and beyond. Concentrated in a three-story postindustrial loft building in East Williamsburg, ISCP supports the creative advancement of artists and curators from around the world, presents exhibitions and talks year-round, and fosters cultural exchange. From 1994 to the present, ISCP has hosted over 2,000 alumni hailing from more than 105 countries. Today, ISCP’s Open Studios, a three-decade tradition, continues to be the organization’s signature event.

Visitors can also explore two exhibitions: Alice Wang: Windstorm on Saturn, Basalt Columns, M**A, Serotonin curated by Melinda Lang, Director of Programs and Exhibitions, and Bryan Fernandez: En tránsito, curated by Zuna Maza.

Read more
https://iscp-nyc.org/event/60604

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01/04/2026

Edith Hammar (SWE), IASPIS Artist in Residence at ISCP in New York
April–June 2026


Edith Hammar (b. 1992, Helsinki) is a visual artist whose primary medium is drawing. Their figurative and often large-scale works are based on autobiographical motifs. The focus lies on gender-transcending characters who interact in various stages of being dressed or undressed. Viewers are invited to explore how discomfort and pleasure intertwine in different everyday situations. The images function as ho******ic mirror worlds in which Hammar challenges intimate and spatial norms.

Hammar was educated at the Royal Institute of Art in Stockholm and has published two graphic novels, exhibited at institutions including Moderna Museet in Stockholm, and received awards for artistic achievement, most recently the Inez Leander Prize from the Royal Academy of Fine Arts.
https://elmhammar.com/

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Photo: My Mattsson/Moderna Museet.

01/04/2026

Nataliya Zuban, IASPIS Artist in Residence in Gothenburg
1 April 2026–31 May 2026


Nataliya Zuban is an artist based between the Netherlands and Ukraine whose practice
spans sculpture, installation, video, and kinetic media. Her work engages with memory,
trauma, and the material traces of historical and personal events, with a focus on fragility, transformation, and cycles of creation and destruction. Working across unstable and process-driven forms, she develops sculptural environments in which matter operates simultaneously as structure and agent of change. Through systems that shift, erode, or collapse over time, her installations evoke states of curiosity, uncertainty, and tension, reflecting on vulnerability as a shared human and political condition.

During her residency at IASPIS, Nataliya Zuban will experiment with and test prototypes for a kinetic installation focused on tension and duration. The project examines how fragile structures behave under pressure, how time functions as an active element in sculpture, and how kinetic systems shape changing spatial and sensory experiences.

Nataliya Zuban holds an Interdisciplinary PhD from the Eugeniusz Geppert Academy of Art and Design, Wroclaw, Poland (2018–2021), and BFA/MFA degrees, Ceramic major, from Lviv National Academy of Arts, Ukraine (2009–2015). Recent residencies include
Rijksakademie, Amsterdam (2023–2025); Senter for keramisk kunst, Ringebu, Norway
(2023); Casa Wabi, Puerto Escondido, Mexico (2022); and EKWC, Oisterwijk, The
Netherlands (2022).

Solo and group exhibitions include Coexistence, RAM Gallery, Oslo (2023); WARÚM
DARÚM WARÚM DARÚM WARÚM, Loods6, Amsterdam (2025); Migration, Ariana
Museum, Geneva, Switzerland (2022); Zenith, MWW Wroclaw Contemporary Museum,
Poland (2019); and Voyage of Discovery, Clayarch Gimhae Museum, South Korea (2017).



Photo: Rozalina Busel

01/04/2026

The Gardening Bricoleur – an artist talk with nabbteeri


Date: Saturday 11 April 2026
Time: 1–3 pm
Place: Konstföreningen Åkern
Address: Vade 397, Bergsjö
Language: English
Free admission, no reservation needed



In their talk The Gardening Bricoleur, the Finnish artist duo nabbteeri explores questions concerning the contradictions of artistic practice, thinking with the hands, grieving, and learning to be affected, embracing the unknowability of others – much like gardening itself.

After the talk, we invite you to our seed workshop – here, participants can write and fold small seed packets, make simple pots from recycled paper, exchange and sow seeds, share experiences about varieties and cultivation, or simply pause and observe what happens when hands meet soil.

nabbteeri’s residency at Konstföreningen Åkern is conducted in collaboration with IASPIS – the Swedish Arts Grants Committee’s international programme for visual and applied arts and with support from Region Gävleborg.

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Öppettider

Måndag 09:30 - 15:00
Tisdag 09:30 - 15:00
Onsdag 09:30 - 15:00
Torsdag 09:30 - 15:00
Fredag 09:30 - 15:00